Scarred

Ed and Alice are two months shy of getting married when she realizes that she wishes she'd had a more active love life while still single. Reluctantly, Ed agrees to have an open relationship in the months before their wedding, and initially this seems to improve their connection, particularly in the bedroom. However, as Ed and Alice get more involved in their own flings, the experiment goes awry.

After moving to the country to start life anew after their child's death, photographer Shawn Burnett and his wife, Helen, begin to suspect that a ramshackle cabin on their property is haunted by the malevolent spirit of a long-dead witch who once lived there.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Ting’s first feature is a monumental documentation of a large-scale HDB (Housing and Development Board) flat in Jurong by portrayal of its corridors and interior balconies. The film seamlessly scales the building from bottom to top, traversing every available 'public' space in its ascent. Shot just before sunrise with few inhabitants to be seen, the film becomes solely occupied with the interplay between camera and architecture – the shifting tones, lights and shapes that emerge from movement. The soundtrack is derived from a live performance by Balbalab during the world premiere of the film at the Singapore International Film Festival on 28 November 2016. Balbalab is a collective of experimental musicians from Singapore exploring a variety of strategies toward electroacoustic improvisation. Their sonorous response uses field recordings mined from the same HDB block and then cut up, processed, and reassembled.

Sardonic Cynthia walks us through a play-by- play of a recent "squicky" date, requiring her to confront some uncomfortable truths.

Peter loves nature, especially during summer. Known for his sense of humor, he enjoys the warmth and long days of the season. One day, his friend Lisa suggested a trip to the mustard fields in Alton, Hampshire. The two decided to go, and when they arrived, they were greeted by the stunning sight of blooming yellow mustard flowers. The fields were bright and beautiful, a perfect summer scene. This is the story of Peter and Lisa's visit to the mustard fields.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

UFC on Fuel TV 1: Sanchez vs. Ellenberger was the first UFC event to air exclusively on Fuel TV. It was held on February 15, 2012, at the Omaha Civic Auditorium in Omaha, Nebraska. The main event consisted of Diego Sanchez facing Jake Ellenberger. Ellenberger came into the match on a five fight win streak, four of which ended by stoppage, including one against Jake Shields.

This program recounts the life of scientist, inventor, and visionary Nikola Tesla, often remembered as more of an eccentric cult figure than an electrical engineering genius. Many of his achievements are still attributed to contemporaries Thomas Edison and Guglielmo Marconi. Tesla's surprising inventions are revealed in his autobiographical and scientific writings, supplemented by rare photographs and re-creations.

A comedy about isolation and loneliness, Affections follows a young woman, adrift, seeking intimacy in the most unlikely places.

A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu. With bravery and subversive wit, they each shed light on the social problems in their country. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live.