Do observatório Me Viram

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

“Can one man bear the sins of the world?”

Hiccup and Toothless go on an exciting adventure and discover an island of new dragons.

A Super Namekian named Slug comes to invade Earth. But the Z Warriors do their best to stop Slug and his gang.

Recorded at the Credicard Hall in São Paulo, on 2 and 3 July 2010, the album celebrates the 30th anniversary of the group's career and is part of the 30 Years Tour. Participate as special guests Symphony Orchestra Villa-Lobos, singer Milton Nascimento in the song "In Bailes da Vida", the singer Sandy Leah in the song "Silver Rain", Father Fabio de Melo in the song "Peace" (version "Heal The World" by Michael Jackson) and the band in Fresno song "Rock'n Roll Show"

Songs from Tsongas is a live video and album by the English rock band Yes, released on DVD in 2005 and CD and Blu-ray in 2014 by Image Entertainment. It was recorded at the Tsongas Arena in Lowell, Massachusetts on 15 May 2004 during the band's 2004 tour in celebration of their 35th anniversary. It is the band's last live album to feature original singer Jon Anderson.

Kurt Longson tries to avenge his daughters death. To succeed he has to battle with his conscience and morality to realize true love.

A vigilante who is released from prison for a crime he did not commit sets out for one last blood-thirsty fight to seek redemption and vengeance.

Japanese master spy Daka operates a covert espionage-sabotage organization located in Gotham City's now-deserted Little Tokyo, which turns American scientists into pliable zombies. The great crime-fighters Batman and Robin, with the help of their allies, are in pursuit.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri