The Rock at the End of the Driveway

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

Oliver's Divine Delivery Theory is put to the test when he and the POstables seem to be unable to deliver a damaged letter from a military veteran that's a matter of life and death.

This concert is a wish come true for Helene Fischer: the singer presents her personal selection of German and international Christmas songs in the atmospheric ballroom of the Vienna Hofburg. Her guests and partners are the Royal Philharmonic Orchestra from London, one of the world's most renowned symphony orchestras, and the Vienna Boys' Choir, among others. It took two years to prepare this concert. The program includes classics such as "Merry Christmas Everywhere", "Ave Maria", "Es ist ein Ros entsprungen" and "Stille Nacht, heilige Nacht". There are also contemporary songs such as "In der Weihnachtsbäckerei", "Last Christmas" and "The Power Of Love".

William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.

Tomás is an old man who suffers from Alzheimer's disease dependent on his family who has a complicated relationship with him due to his condition, which causes a conflict of interest with Tomás' daughter wanting him to live, her granddaughter being completely indifferent, and his son-in-law. wanting him to die.

After the death of Mr. Abduscan, Gonçal seeks revenge, with all his strength to finish off the Anthropomorphs, but they won't make it easy for them.

This animated comic goes back in time to explore the events that spurred the transformation of mild-mannered John Kramer into the monstrous Jigsaw.

Sylvester, his wife, and son go for a walk while their porridge cools, when Goldimouse wanders by to eat the porridge and sleep in their beds. Sylvester then tries to catch her for his "spoiled brat" of a son to eat.

A young actress arrives late to a casting, making up a great excuse without knowing a small detail.

In a period of isolation, far away from each other, 2 friends reconnect through video-letters, inspired by the poetic gaze of women experimental filmmakers: Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer. Fernanda is a Brazilian living in São Paulo, Adriana is a Mexican-Brazilian living in Los Angeles. They both share their inspiration while capturing the reality of these times.

Film Director Matt Routledge presents and narrates this 'Then and Now' documentary on Bruce Lee's first feature film 'The Big Boss', featuring new interviews and eye witness reports of the original filming.