Un tropezón cualquiera da en la vida

In the midst of quarantine in 2020, a girl starts to experience supernatural events that will take her to the limit.

Naruto x UT is the eighth Naruto OVA. Approximately 200,000 copies of this OVA were distributed by Uniqlo to promote a line of Naruto-themed shirts designed by Masashi Kishimoto in conjunction with Studio Pierrot. It shows the aftermath between a fight between Naruto and Sasuke and shows clips of their times together and the story so far.

From the pen of Yoshikawa Eiji comes this exciting story. The Naruto Strait separates Tokushima from the islands of Awaji and Honshu. On Tokushima the mad lord dreams of conquest and forges a bloody revolt against the Tokugawa shogunate. A mysterious swordsman named Noriyuki Gennojo has crossed Naruto’s waters to uncover the Awa clan’s secrets. He puts his life on the line after finding a testament of Awa’s secrets, written in blood by a dying man. Joining Noriyuki are a female ninja who loves him, and the beautiful daughter of an enemy who’s sworn to kill him. Awa’s defenders willl stop at nothing to prevent the blood-soaked letter from reaching the shogun.

Five ex-soldiers go to a small town in Oregon to help a friend investigate the murder of his brother.

Hami Nepali Hami Gorkhali is a Nepali music video story about Gurkha people

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

A story of two contrasting individuals — a wealthy youngster who loves to live life partying and wooing women, without a care in the world for anything else, and a pregnant woman who loses her husband and is struggling in life. The two of them get stuck in a lift for several hours, turning both their lives upside down.

"In Rome, the author says, hidden among the little streets of the Pigneto and Tor Pignattara districts, an underground scene made up of strong women has developed. A scene full of passionate women who dedicate their lives to experimentation and free art expression(…) When I discovered their world I immediately felt involved, and I decided to make this documentary." The result is a generous choral documentary about the female music/performance scene in the eastern area of Rome. A documentary about love for music and art, about freedom to be what we really want to be, trying to discover our true identity, beyond the stereotypical roles imposed by contemporary society. A documentary about choosing to follow the talents and desires that are essential for life, our life's blood (linfa), and that give meaning to our existence. It is a story of female artistic activism that becomes political demonstrating that it is possible to oppose the ordinary and banal with alternative creative worlds.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?