Liés pour la vie

David Kramer moves artwork with a van to a storage unit in Pennsylvania.

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pressures of an online, global economy, humans will have to be very clever – and very careful – not to be left behind by the future. From the perspective of those in charge, human labor is losing its value, and people are becoming a liability. This documentary reveals the real motivation behind the secretive effort to reduce the population and bring resource use into strict, centralized control. Could it be that the biggest threat we face isn't just automation and robots destroying jobs, but the larger sense that humans could become obsolete altogether?

The French death metal band Gojira performes live with their album L'Enfant Sauvage in highlight.

Haunted by a mysterious super-pilot, a young glider pilot first flees, then confronts his challenger. Nominated for an Academy Award. Preserved by the Academy Film Archive in 2013.

A lonely Inn becomes a setting for survival against a monstrous visitor.

Anam, age 40, is a traditional Turkish wife and mother who lives with her family in a German city. She works as a cleaner and has made two friends: man-crazy German Rita and superstitious African Didi. When she finds out that her 20-year-old son Deniz has drifted into the drug scene and her husband Mehmet is having an affair with a colleague, her whole world collapses around her. Although desperate she is determined to fight and goes looking for Deniz. Instead she finds his girlfriend Mandy, who is also a drug addict. She decides to take care of the girl who is a stranger to her and finds herself confronted with an entirely unknown world. When she finally manages to track Deniz down to the cold-blooded dealer Hassain, he rejects her. Anam is forced to realize that painful as it is she can only help Deniz if he is prepared to accept her help

Weird things are happening in the town of Justice, Arizona: three sheriffs have disappeared, and someone is killing the rancher's livestock in a bizarre, ritualistic fashion. Locals believe the incidents were caused by aliens... But a visiting couple, Charlie and Rhonda, knows better – because they're aliens themselves. When no one else will, Charlie and Rhonda volunteer to be the new sheriffs to get to bottom of the crimes. Hiding behind the power of the badge, the two make their own rules, punishing wrong-doers with their own form of "eye-for-an-eye" alien vengeance. Follow this twisted, outer space "Bonnie and Clyde" as they attempt to bring Justice the justice it deserves.

A cop Angel Almaraz saves the life of a local crime boss who, in return, offers him a job as part of his security. Almaraz accepts but soon has doubts.

From bionic arms and legs to artificial organs, science is beginning to catch up with SF in the race to replace body parts with man-made alternatives. How to Build a Bionic Man follows psychologist Bertolt Meyer, who has a bionic hand himself, as he meets scientists working at the cutting edge of research to find out just how far this new technology can go. Now, thanks to research on advanced prosthetic arms and legs, as well as artificial eyes, hearts and lungs - and even hybrids between computer chips and living brains - scientists can finally replace body parts and even improve on human abilities. While Bertolt's search shows just how far science has come, it also asks questions about what it means to be human and where this technology could lead in the future.

The word “Manshin” refers to a shaman who are considered an intermediary between gods and humans. Kim Keum-hwa, Korea’s most famous shaman, is also a world-renowned Korean traditional dancer and a religious figure respected by the Vatican. The documentary tells the story of her fascinating life journey from a girl forced to take a job she never asked for to becoming a living national treasure.

The Cure play an intimate performance with a selection of classics, fan favourites and tracks from the album Songs of a Lost World. Recorded in front of a small audience at the BBC Radio Theatre in London’s Broadcasting House.