Genius Party Beyond

Germany, 1945. Soldier Willi Herold, a deserter of the German army, stumbles into a uniform of Nazi captain abandoned during the last and desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he has stolen only to stay warm, Willi discovers that many Germans will follow the leader, whoever he is.

In 1998, Beavis and Butt-Head are sentenced to Space Camp by a “creative” judge. Their obsession with a docking simulator (huh huh) leads to a trip on the Space Shuttle, with predictably disastrous results. After going through a black hole, they re-emerge in our time, where they look for love, misuse iPhones, and are hunted by the Deep State. Spoiler: They don’t score.

One year after the events of the anime, Rintarou begins to feel the repercussions of extensive time travel, and eventually completely fades from reality. Kurisu, being the only companion to remember him, now must find a way to bring him back.

Nishi is a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, he journeys to heaven and back, and ends up trapped in an even more unlikely place.

An incredibly dull-witted family unknowingly stumble upon an illegal weapons deal while on the trail of their "stolen" garbage.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

In the near future.... The world is in turmoil. The atmosphere is thick and heavy with pollution and all natural resources are nearing exhaustion. Nations grow desperate and many are willing to fight each other for what little remains. The situation is rapidly spiraling out of control. In an urgent bid to solve the problem, missions are launched to explore the universe for planets that may contain alternative sources of energy. On the edge of space,one of the mining ships, The Ezekiel, finds an uncharted planet that reveals signs of a possible fuel resource. Two crew members are chosen to undertake a prospecting mission to the desolate rock, in order to take samples and survey the surface for later analysis. The mission goes well, until they reach 'grid reference 3894' where they unexpectedly descend into a world they could only imagine in their nightmares and unearth a dark and terrifying truth.

A biopic of writer Truman Capote and his assignment for The New Yorker to write the non-fiction book "In Cold Blood".

A Korean American family moves to an Arkansas farm in search of its own American dream. Amidst the challenges of this new life in the strange and rugged Ozarks, they discover the undeniable resilience of family and what really makes a home.

A spirited young bride-to-be living with her single mother on a small Greek island secretly invites three of her mother's ex-boyfriends in hope of finding her biological father to walk her down the aisle.

In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer; a train that travels around the globe via a perpetual-motion engine.

A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients—and an enemy to the cruel, domineering nurse who runs the ward.