Shaadi Express

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

Meicoomon rampages after witnessing Meiko Mochizuki being injured by the man bearing Gennai's likeness. "It would have been better if you hadn't been born..." Meicoomon disappears into the Real World, which has since become distorted. Possessing overwhelming power, she's the key to the world's destruction.

Three metropolitan stories entwine in São Paulo. Would-be actress Marina arrives in the city looking for independence, falls madly in love with Justine, a bisexual rock singer, and is swept up into her wild, edgy lifestyle. Marina shares a flat on Avenida Paulista with Suzana, a mysterious lawyer who begins a relationship with a male colleague who is unaware that she's transsexual. Jay lives a few floors above them. He is a frustrated writer trying to give a meaning to his life by idealizing a stunningly beautiful prostitute, whom he transforms into a sort of muse. Following the frenetic pace of the city, the three "Paulista" characters will experience the euphoria of passion and its downside.

Parker, a successful advice columnist, and her best friend Aaron have been inseparable since childhood. She knows everything about him, including the fact that he doesn't love his fiancé. Desperate for help, Parker pens an anonymous letter to her own column asking for advice. Unexpectedly, she learns about her own feelings instead.

Recorded at the Credicard Hall in São Paulo, on 2 and 3 July 2010, the album celebrates the 30th anniversary of the group's career and is part of the 30 Years Tour. Participate as special guests Symphony Orchestra Villa-Lobos, singer Milton Nascimento in the song "In Bailes da Vida", the singer Sandy Leah in the song "Silver Rain", Father Fabio de Melo in the song "Peace" (version "Heal The World" by Michael Jackson) and the band in Fresno song "Rock'n Roll Show"

Hong Kong movie

After decades of working in the printing industry in Kolkata in eastern India, Tarini has reached retirement age. He spends his days at home, having declined his son’s invitation to come to the United States. Then a friend shows him a help-wanted ad. Although he has never published a book, Tarini used to tell made-up stories to his friends in his youth, and the ad for a storyteller in Ahmedabad in western India piques his interest.

“Can one man bear the sins of the world?”

A rich but disliked elderly man invites his relatives to a family reunion at his home. Once the gathering is complete, he announces enigmatically that he intends to change his will before he dies. Before he can do this, he is murdered. His niece (Gynt), a detective story writer, has to put her theories into practice by solving a real-life murder mystery.

Follow a normal day in the life of three abnormal people to see what it's like to walk in another person's shoes for a day. Shot entirely in subjective camera, the audience will experience a day in the life of these three characters by hearing their internal monologue, dialog, and by seeing what they see as they go about their daily business. Since the movie is all about perception, all three characters lives intertwine in a scene that each character perceives completely different, leaving the audience to decide for themselves what really happened on this normal day. Each characters lives twist and turn as the movie progresses into a fun, yet different, cinematic adventure.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.