Terapimetre

During the second half of the 19th century, Fuad and Sefika are mourning their son at a house in Istanbul. Fuad has a way to deal with the pain but convincing Sefika will not be easy. Hatira Fotografi (Reaction) tells the story of a strange photo-shoot.

“We never know how high we are till we are called to rise” could be the motto of this stunningly filmed, high impact and suspenseful motion picture that is based on a true story. Solomon Kalushi Mahlangu is a teenage hawker who is drawn into the liberation movement to fight against an oppressive apartheid South African government. When he and his comrades are accosted by police while on a mission he is charged with two counts of murder. He is in a fight for his life and must prove his innocence.

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

Beppe Musolino is falsely accused of murder. He is tried and once found guilty is imprisoned. Unexpectedly he escape from prison and to survive he start living like an outlaw brigand. He falls in love for Mara, a village girl, and with her help he hunts down all of the witnesses who lied about him at the trial.

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

In the world, there is a city-port Odesa, which was specially created as a refuge for people of different nationalities and religions. Humor is a special language that helps people from Odesa to communicate and get along with each other. Legends are spreading about Odesa's humor and accent. But - a paradox - people are constantly leaving it. It is loved, but it is left as a child leaves his mother. On the example of this city and its inhabitants, we wanted to understand - why people flee from their cities. We tried to find the answer taking pictures of Odesa citizens in Germany, Israel, Ukraine, Russia, Austria, France and other places. Michael Zhvanetskij, Roman Kartsev, Leonid Barats and Rostislav Khait Victor Loshak,  Oksana Fandera, Valerij Todotovskij, Mikhail and Anatoly Kontush and many others are telling their stories and giving their opinions on what is the phenomenon of the city by the Black Sea.

A kaleidoscopic recounting of a year in still and moving images from the duration of 2024.

A ‘Treasure-Carcass’ foretells of a dark dystopian future but Shelton, the underdeveloped fiddler crab, is oblivious — his attention is absorbed by the shiny, new bottle cap he hopes will elevate him to the rank of “god” among his colony.

In a period of isolation, far away from each other, 2 friends reconnect through video-letters, inspired by the poetic gaze of women experimental filmmakers: Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer. Fernanda is a Brazilian living in São Paulo, Adriana is a Mexican-Brazilian living in Los Angeles. They both share their inspiration while capturing the reality of these times.

A bus full of strangers find themselves fighting for their lives when one of them reads from an ancient Gothic tome, bringing six dead serial killers back to life, who proceed to hunt them down one by one.

Cecilia Vicuña made her first documentary while residing in Colombia after the 1973 coup d’état in Chile. Through this fundamental inquiry: ¿Qué es para usted la poesía? / What is poetry to you?, Vicuña unravels the role and substance of poetry in people’s lives. Speaking with school children, street performers, policemen, sex workers, fellow artists, and a scientist, the all embracing character of poetry emerges—its transformative role in personal relations, as a basis of oral history and the revolutionary imagination. – Chris Borkowski

LIVE; THEATERSEIZOEN '82/'84: 'Urbanus Live' werd in opdracht van Urbanus Nederland opgenomen tijdens twee uitverkochte voorstellingen in de Agnietenhof van Tiel op 4 en 5 februari 1983. Deze opnamen werden samengevat voor televisie en uitgezonden door de Vara in 1983 en in 1984. Dit is de volledige, ongeknipte versie van deze twee succesvolle uitzendingen via Vara en tevens een aardige weergave van het theaterseizoen 1982-1983 in Nederland en 1983-1984 in België. IN 'T ECHT: Deze theatershow van Urbanus was een ware triomf in de Belgische- en Nederlandse theaters, waarbij records sneuvelden wat bezoekersaantallen betreft. In Nederland werden ruim 200 voorstellingen gegeven, waarvan drie shows in Carré in Amsterdam. Geen enkele buitenlandse artiest deed hem dit na. In Vlaanderen was het niet anders. In alle grote theaters vonden meer dan twee voorstellingen plaats en Antwerpen leverde een record op van meer dan 15.000 bezoekers.