Raja-Saja

A jobless imaginative artist finds his fantasies when a sculpture he creates comes to life every night.

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Three old men and a little boy try to preserve what they consider to be National Patrimony in the form of a locomotive nicknamed the "33"

"a colorful poem of the first copy-motion film... the system registers images directly from a color (xerox) duplicator model 6500... an original, versatil, unique system developed by Darino" –Back Stage

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu. With bravery and subversive wit, they each shed light on the social problems in their country. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live.

Decadent, failing Mexico City family get life-lessons from rural visitors.

Thamizh, a brave youth, looks forward to working with his brother in Kuwait. Meanwhile, circumstances force him to clash with some gangsters which earn him Periyavar's wrath.

Writer/director Leslie Carde finds her villain in the US Army Corps of Engineers, an agency whose primary aim is supposed to be that of protecting the nation's citizenry from potential disasters caused by the structural failure of dams, bridges, levees, buildings etc. Instead, the Corps, in cahoots with the many politicians and congressmen who work right along with it, has been found, over and over again, to be derelict in its duties - guilty of negligence, of employing harmful cost-cutting measures, of having misplaced priorities, of engaging in outright deception, and of brokering sweetheart deals with pet contractors. The movie is unsparing in its treatment of the Corps, and Carde clearly views it as her own personal mission to hold that organization accountable for the many acts of criminal malfeasance it has engaged in over the years.

Nakamura Yukinojo gains popularity in Edo's kabuki scene as a handsome onnagata (a male actor who plays female roles). But hidden behind the placid expression of his stage face is a deep grudge for the men responsible for dishonoring his parents' names and leading them to suicide when he was still a child. When he discovers that the mastermind behind those crimes has come to see him act onstage, he begins in earnest to plot his revenge. With the help of a renowned Robin Hood-like thief named Yamitaro, he makes out his first target: the daughter of the man who orchestrated his parents' demise.