Quipu: Calls for Justice

Berets, badges, Black Lives Matter and social justice: the youth group for activist girls of colour.The Radical Monarchs is an alternative to the Scout movement for girls of colour in Oakland. Its members earn badges not for sewing or selling cookies, but for completing challenges on social justice including Black Lives Matter, 'radical beauty', being 'an LGBTQ ally' and the environment.

Lynda Wiesmeier, Playmate of the Month July 1982, along with other Playmates

An entire overview of the global and culture phenomenon franchise, The Hunger Games series.

A rich but disliked elderly man invites his relatives to a family reunion at his home. Once the gathering is complete, he announces enigmatically that he intends to change his will before he dies. Before he can do this, he is murdered. His niece (Gynt), a detective story writer, has to put her theories into practice by solving a real-life murder mystery.

William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

3 young women encounter car trouble on the way to a Dragonsclaw concert during a rainstorm. They are forced to go seek help, where one by bloody one they are attacked by a masked maniac and hung on meathooks. Who will survive and what will be left of them?

A boy and girl find true love for each other and escape from boredom and crime.

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Another film about Martina Schaub, now thirty years old.