Celedonio y yo somos así

Dian (Lisa Surihani), a sweet and naïve blogger, travels to Istanbul in hopes of convincing her medical student boyfriend Azad (Tomok) to propose to her. She rents out an apartment, not knowing that it is already leased to quirky and shy artist Harris (Beto Kusyairy). Despite the unwanted roomate, Dian tries to make the most out of her sticky situation and conceal it from Azad. But when Azad eventually finds out and leaves her, Dian has to decide whether she should run and fight for Azad or stay and discover if Harris is the one who is meant for her.

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

A master owl tries to present the kindergarten end of year show. Unfortunately the night does not go as planned, as several unforeseen events happened, one after the other, even before the curtain came up.

Chinese mystery film with a mysterious werewolf man.

Sylvester, his wife, and son go for a walk while their porridge cools, when Goldimouse wanders by to eat the porridge and sleep in their beds. Sylvester then tries to catch her for his "spoiled brat" of a son to eat.

Thamizh, a brave youth, looks forward to working with his brother in Kuwait. Meanwhile, circumstances force him to clash with some gangsters which earn him Periyavar's wrath.

Writer/director Leslie Carde finds her villain in the US Army Corps of Engineers, an agency whose primary aim is supposed to be that of protecting the nation's citizenry from potential disasters caused by the structural failure of dams, bridges, levees, buildings etc. Instead, the Corps, in cahoots with the many politicians and congressmen who work right along with it, has been found, over and over again, to be derelict in its duties - guilty of negligence, of employing harmful cost-cutting measures, of having misplaced priorities, of engaging in outright deception, and of brokering sweetheart deals with pet contractors. The movie is unsparing in its treatment of the Corps, and Carde clearly views it as her own personal mission to hold that organization accountable for the many acts of criminal malfeasance it has engaged in over the years.

In 1939, after barely escaping the Nazis, a Gypsy family returns to Switzerland only to be torn apart by racial persecution in the benign guise of children's welfare. This fictionalized story of Jana, an eight-year-old Gypsy girl snatched from her parents and consigned to a life of orphanages and bleak foster homes, is based on a little-known chapter of Swiss history: From 1926 to 1972, the state-supported Pro Juventute, a children's aid foundation, forcibly removed some 700 Gypsy children from their families, in order to sever the ties with their culture and assimilate them to a "better way of life." The underlying aim was to preempt a new generation's caravans from following their nomadic traditions along Switzerland's country lanes.

Laura is about to marry Daniela, the girl of her dreams, when she realizes she is actually dreaming. Trying to avoid further embarrassment by carrying on the narcoleptic charade, Laura inadvertently insults Daniela and learns that sometimes you have to take care of your fantasies in order to find happiness in your reality.

A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu. With bravery and subversive wit, they each shed light on the social problems in their country. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live.