Bad Company

After a bank job goes badly wrong, three desperate criminals take a young woman and a father and child hostage - it's the beginning of a frantic and violent road trip that not all of them will survive.

Lola has two brothers: Benoit, who is getting married for the third time, and Pierre, who shows up late for the wedding. Excuses, reproaches, arguments, misunderstandings... beneath it all, they're just doing their best to live their own lives. Benoit is about to become a father, but he's not ready yet. Lola meets Zoher while she's still going through her divorce. Pierre's professional problems take a turn for the worse. Though everything in their lives seems to be pulling them apart, the three of them stick together - an inseparable trio.

On his deathbed, the reigning king bestows power to an unexpected heir who must find strength within himself to unite his people against the violent crusades which threaten their freedom.

Arriving in Moscow, Chechen War veteran Danila meets Konstantin, an old friend who tells him that his twin brother has been forced into signing a crooked contract with a US ice hockey team. Soon after this meeting, Danila discovers Konstantin dead and he sets out to avenge his death; a journey that leads him to Chicago and a whole new experience.

Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

An ex-felon returns home from prison and must confront the demons of his past.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Various individuals think they’re coming together for a party in a private home, but a series of revelations results in a huge crisis that throws their belief systems – and their values – into total disarray.

In the 15th century, a young goatherd living alone in a mountain hut feels a dark presence in the woods.

Some 20 years ago, two sex workers were murdered in an upper-class Brussels neighborhood. Celebrated Belgian magistrate Anne Gurwez decides to revisit this cold case, pouring over the evidence with the use of new technologies and tracking down then-suspects.

A wily safecracker is forced to help a mob boss pull off a $150 million heist, but smells a double-cross in the works.

Zenia is an industrious Ukrainian migrant worker in Poland who makes house calls as a masseur to the needy and aspirational residents of a middle-class gated community near Warsaw. He is privy to all of their problems, anxieties and secrets – and something of an unwitting guru figure. Zenia’s grounded spirituality, apparent healing powers and broad shoulders make him an object of lust for many of the lost souls in the community.