Dry Rot

Jim Davidson is back with his most outrageous show ever - BOOBS IN THE WOOD! This hilarious Adult Panto, exclusive to video, captures the filthy follow-up to the Saucy SINderella in all its shocking glory. Strictly for GROWN-UP girls and boys only! This X-Rated Panto sees Jim playing the WICKED Sheriff of Nottingham, who has his eyes on a bag of loot, Maid Marion's assets and anything else that takes his fancy. He may even get his WICKED WAY - unless Robin and his Merry Men can stop him. Filmed in front of a packed house, the hysterical BOOBS IN THE WOOD is BIG, BAD, RUDE and CRUDE - and sure to leave you in stitches

Mildly successful comedian, Hannibal Buress, performs his second stand-up special in Chicago based on his wild night with the police.

Joe thinks he's back in the gladiator days, and finds himself sentenced to be thrown to the Coliseum lions after breaking a string while playing the lyre for King Nero.

South Africa’s diamond king, Jue Gung, neglected his loved ones and decided to return to Hong Kong for the New Year. His family attempts to gain favor with him, in hopes of inheriting some of his wealth.

San Francisco homicide detective Maggie Price and former, world-class chef Henry Ross are on the case once again. The crime-solving odd couple investigates the murder of Henry’s friend, a well-known local chef found dead in his kitchen. As they begin to unravel an old family secret, Maggie has to stay one step ahead of a mysterious man in the shadows who appears to be stalking her, while her blossoming relationship with Henry is threatened by the arrival of an ex-love from Maggie’s past.

Ihsan is a simple employee in the Ministry of Culture from the house to the office and vice versa his work colleague Nargis loves and plans to marry him. He is surprised by one of the security authorities arrested and directed a number of charges, which does not know the cause and continues to haunt him

A young actress arrives late to a casting, making up a great excuse without knowing a small detail.

A young man on a bicycle is turning a corner in front of an apparently abandoned building when he begins to hear the ringing of a cell phone. (A prequel to the first version of Ju-on, 2000.)

Set in two contrasting environments that underline the same premise of imprisonment, Selda tells the story of Rommel, a young man who accidentally kills a boy, resulting in his incarceration. Inside the jail, he befriends another inmate, who becomes his rock and protector. Seven years later, Rommel is living in the province as a farmer together with Sita his wife. Esteban tracks down Rommel in hopes of renewing a brewing love affair. Rommel and Sita welcome Esteban into their lives until their intimacy crosses borderlines and results in the undeniable scourge of self-discovery

"Tacita Dean’s JG is inspired by her correspondence with Ballard regarding connections between his short story 'The Voices of Time' (1960) and Robert Smithson’s iconic earthwork and film SPIRAL JETTY (both works, 1970). JG is a 35mm anamorphic film shot on location in the saline landscapes of Utah and central California using Dean’s recently developed and patented system of aperture gate masking. An unprecedented departure from her previous 16mm films, JG tries to respond to Ballard’s challenge – posed to her shortly before he died – that Dean should 'treat the Spiral Jetty as a mystery her film would solve.' " - Anthology Film Archives

In this award-winning documentary, the first time directors take a detailed looks at the apartheid analogy commonly used to describe the Israeli-Palestinian conflict. Narrated by Alice Walker (author of The Color Purple), Roadmap to Apartheid is as much a historical document of the rise and fall of apartheid in South Africa, as it is a film about why many Palestinians feel they are living in an apartheid system today, and why an increasing number of people around the world agree with them. While not perfect, the apartheid analogy is a useful framework by which to educate people on the complex issues facing Israelis and Palestinians.